Michael Nyman-Gattaca-OST-CD-FLAC-1997-FORSAKEN Description: Artist: Michael Nyman Album: Gattaca Label: Virgin Genre: Soundtrack Source: CD Street Date: 1997-10-21 Quality: 748 kbps / 44.1kHz / 2 channels Encoder: FLAC 1.2.1 Size: 311.98 MB Time: 55:00 min Url: 1. The Morrow 3:13 2.

God’s Hands 1:42 3. The One Moment 1:40 4.

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Traces 1:00 5. The Arrival 3:53 6.

Becoming Jerome 1:07 7. Call Me Eugene 1:24 8. A Borrowed Ladder 1:47 9.

Further and Further 2:43 10. Not the Only One 2:14 11. Second Morrow 2:26 12. Impromptu for 12 Fingers (From Schubert’s “Impromptu in 2:58 G-Flat Major, Op. The Crossing 1:24 14.

It Must Be the Light 1:24 15. Only a Matter of Time 1:07 16. I Thought You Wanted to Dance 1:12 17.

Irene’s Theme 1:09 18. Yourself for the Day 2:20 19. Up Stairs 2:02 20.

Now That You’re Here 2:43 21. The Truth 2:13 22. The Other Side 3:44 23. The Departure 3:51 24.

Irene & the Morrow 5:44 Michael Nyman’s cold, clinical score to the sci-fi flop Gattaca perfectly complements the sterile dystopia that is the onscreen milieu, but what works so effectively within the context of the film tanks outside of it. Nyman deliberately drains the passion and humanity from his music to evoke a world devoid of personal freedom, an appropriate and even brave creative choice that nevertheless yields a dreary listening experience — in fact, it’s difficult to think of another score more appropriate to its accompanying film that is nevertheless so utterly boring. Equal parts success and failure, Gattaca simply drones on and on, bereft of suspense, romance and vitality.

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's cold, clinical score to the sci-fi flop Gattaca perfectly complements the sterile dystopia that is the onscreen milieu, but what works so effectively within the context of the film tanks outside of it. Deliberately drains the passion and humanity from his music to evoke a world devoid of personal freedom, an appropriate and even brave creative choice that nevertheless yields a dreary listening experience -- in fact, it's difficult to think of another score more appropriate to its accompanying film that is nevertheless so utterly boring. Equal parts success and failure, simply drones on and on, bereft of suspense, romance and vitality.

Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer of minimalist music, pianist, librettist and musicologist, known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's The Piano. He has additionally written a number of operas, including The Man Who Mistook His Wife for a Hat, Letters, Riddles and Writs, Noises, Sounds & Sweet Airs, Facing Goya, Man and Boy: Dada, Love Counts, and Sparkie: Cage and Beyond, and he has written six concerti, four string quartets, and many other chamber works, many for his Michael Nyman Band, with and without whom he tours as a performing pianist. Nyman stated that he prefers to write opera rather than other sorts of music.